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										WORD AND ACT     2016 VOL.21
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 | Arthur Waley's Yuan Mei, Eighteenth Century Chinese Poet, Addendum II
 | LIU Anwei | ( 1) | 
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 | Der offene Bildungsroman Über Jean Pauls Flegeljahre
 | ICHIKAWA Shinji | (25) | 
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 | Invisible Images and Undeveloped Stories: An Essay on Heinosuke Gsho's Haiku
 | TANIOKA Takehiko | (62) | 
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										WORD AND ACT     2015 VOL.20
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 | Der Verkehr im Schwebezustand Über Kafkas Roman Der Proceß
 | ICHIKAWA Shinji | ( 1) | 
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 | Attitudes toward Naniwa-bushi Evident in the Pages of the Biwa Shinbun
 | Hugh DE FERRANTI | (33) | 
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										WORD AND ACT     2014 VOL.19
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 | Arthur Waley’s Yuan Mei, Eighteenth Century Chinese Poet, Addendum I
 | LIU Anwei | ( 1) | 
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 | Yosano Akiko and the Construction of Female Identity in Modern Japan
 | Leith MORTON | (31) | 
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 | In Search of Cy Young: Cy Young and His Times, Part I
 | SAEKI Yasuki | (53) | 
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 | Die Ansetzung des Du in der unendlichen Flüssigkeit. Zu Novalis’  ,,Die Lehrlinge zu Saïs”
 | ANTOKU Makiko | (75) | 
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										WORD AND ACT     2013 VOL.18
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 | Der Verkehr im Schwebezustand Über Kafkas Roman Der Proceß
 | ICHIKAWA Shinji | ( 1) | 
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 | The First Major League: A short History of Baseball (8)
 | SAEKI Yasuki | (31) | 
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 | A l'origine du processus créatif chez la sculptrice Aoki Noe: <<Une perception du fer>>
 | JEAN Françoise | (65) | 
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 | `Wakeful They Lie': The War and the Goddess Themes in Robert Graves's `Counting the Beats'
 | TAMURA Masatoshi | (85) | 
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 | The piano as a symbol of modernity in prewar Kansai | Alison TOKITA | (109) | 
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 | Maekawa Samio and Yamato | Leith MORTON | (137) | 
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 | La main gauche de Roland Barthes | MITSUBORI Koichiro | (186) | 
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										WORD AND ACT     2012 VOL.17
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 | Why Long and Demanding? : The World Picture John Barth Gives in Letters
 | UENISHI Tetsuo | ( 1) | 
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 | he Road to Professionalism: A Short History of Baseball (7)
 | SAEKI Yasuki | (19) | 
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 | Robert Graves and the Body: A Poet Standing Between the Battle Lines and the Home Front
 | TAMURA Masatoshi | (49) | 
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 | Colonial Era Songs Popular among the Osaka Zainichi Korean Community
 | Cho Bak and Hugh de Ferranti | (75) | 
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 | The Poetry of Maekawa Samio and Modern Art | Leith Morton | (107) | 
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 | Naniwa-bushi: Modern Japan's Oral Narrative | Alison Tokita | (121) | 
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										WORD AND ACT     2011 VOL.16
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 | On Native Grounds: American Baseball II -A Short Histry of Baseball (6)-
 | SAEKI Yasuki | ( 1) | 
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 | Zhou Zuoren and Japanese Culture: Focusing on his Cultural Criticism in the 1920s
 | LIU Anwei | (29) | 
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 | The Poetics of War: Japanese Poetry / Australian Poetry and World War II
 | Leith MORTON | (37) | 
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 | A Memoir: When I was a Boy Actor | EMORI Morio | (100) | 
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 | TANIOKA Takehiko | (75) | 
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										WORD AND ACT     2010 VOL.15
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 | On Native Grounds: American Baseball · I -A Short History of Baseball (5)-
 | SAEKI Yasuki | ( 1) | 
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 | Slaughter-house-five as a Story of a Writer: A Message Expressed by Breaking SF Framework
 | UENISHI Tetsuo | (23) | 
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 | Modernity and Japanese Culture | Leith MORTON | (39) | 
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 | Arthur Waley's Yuan Mei, Eighteenth Century Chinese Poet (Selected Chapters) | LIU Anwei | (65) | 
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 | GAY SPIRITS | SEKINE Shinichi | (120) | 
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 | TANIOKA Takehiko | (101) | 
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										WORD AND ACT     2009 VOL.14
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 | British Baseball I -A Short History of Baseball (3)-
 | SAEKI Yasuki | ( 1) | 
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 | British Baseball II -A Short History of Baseball (4)-
 | SAEKI Yasuki | (23) | 
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 | Modernist Verse in Fin-de-Siécle Japan: Tangled Hair and Purple | Leith MORTON | (45) | 
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 | Law and Life in Bleak House | HARADA Daiksuke | (63) | 
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										WORD AND ACT     2008 VOL.13
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 | The Matrix of Baseball - A Short History of Baseball (2) -
 | SAEKI Yasuki | (  1) | 
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 | Überlegunzen zum Akzent (-3) der Fremdwörter im Japanischen | OSA Kozue | ( 23) | 
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 | Doubled Narrative: The 'White Lily' Chapter of Yosano Akiko's 'Tangled Hair' | Leith MORTON | ( 39) | 
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 | Precedent Studies on Formation of Private Religion - The 19th Century American Religious Situation in Mark Twain (2) -
 | UENISHI Tetsuo | ( 57) | 
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 | Raymond Chandler as a Mystery Addict - A Speculation on Detective Stories and Their Readers -
 | TAMURA Masatoshi | ( 83) | 
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 | Romance and Grim Realism in Lodge's A Margarite of America | YUI Tetsuya | (105) | 
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										WORD AND ACT     2008 VOL.12
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 | Writing Romance: Tekkan, Akiko and Tomiko's Exchange Verse | Leith MORTON | (  1) | 
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 | In Search of the Origin of Baseball Game - A Short History of Baseball (1) -
 | SAEKI Yasuki | ( 21) | 
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 | Religious Representations in Adventures of Huckleberry Finn - The 19th American Religious Situation in Mark Twain (1) -
 | UENISHI Tetsuo | ( 43) | 
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 | The Biography of Zhou Zuoren 4 | LIU Anwei | (112) | 
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										WORD AND ACT     2007 VOL.11
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 | Reinventing Literary History | Leith MORTON | (  1) | 
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 | Lessings ,Emillia Galotti' -» Habe Mut, dich deines eigenen Denkens zu bedienen! «-
 | OTOMO Susumu | ( 25) | 
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 | "Die neuen Möglichkeiten" in Peter Handke's Novel Der Hausiere
 | Garvin PERRAM | ( 41) | 
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 | The Transfiguration and Mythologization of the Natural Landscape in Selecter Works by Peter Matthiessen
 | Garvin PERRAM | ( 87) | 
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 | Early Modern Japanese and Chinese Literati Painters and "the West." Part I: "The Last Great Master," Tomioka Tessai
 | ZHAN Xiaomei | (103) | 
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 | The Suspension of Disbelief: George Peele's The Old Wife's Tale | YUI Tetsuya | (131) | 
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 | The Biography of Zhou Zuoren 3 | LIU Anwei | (166) | 
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										WORD AND ACT     2006 VOL.10
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 | New Waves in Scottish Theatre -David Harrower's Knives in Hens-
 | TANIOKA Takehiko | (  1) | 
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 | Blick und Augenblick Über Hofmannsthals Prosa in der Jahrhundertwende
 | ICHIKAWA Shinji | ( 23) | 
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 | Überlegungen zum Akzent der Fremdwörter im Japanischen -Zwei Melodien von einem akutuellen Wort „manifesuto"-
 | OSA Kozue | ( 45) | 
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 | Syntax and Lexicon: A Study of Two Types of VV Idioms in English | ISHIHARA Yuki | ( 71) | 
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 | Companion Animals and Human Health: An Overview | Lorinda R. Kiyama | ( 91) | 
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 | La critique d'art japonaise et l'Asie: un <art asiatique contemporain> pour le Japon (Troisième partie)
 | Françoise JEAN | (125) | 
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 | The Biography of Zhou Zuoren 2 | LIU Anwei | (200) | 
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										WORD AND ACT     2004 VOL.09
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 | "A Vast Practical Joke": A Reading of Philip Roth's The Great American Novel (2)
 | SAEKI Yasuki | (  1) | 
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 | Rire de mourir - d' AIDA Makoto à G. Bataille -
 | SATOMI Tatsuo | ( 17) | 
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 | Die Literature vom Zerfall der Werte Üer den dritten Roman in den > Hermann Brochs
 | ICHIKAWA Shinji | ( 43) | 
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 | The Biography of Zhou Zuoren 1 | LIU Anwei | ( 98) | 
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 | Misuzu und Novalis | OTOMO Susumu | (126) | 
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										WORD AND ACT     2003 VOL.08
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 | "A Vast Practical Joke": A Reading of Philip Roth's The Great American Novel (1)
 | SAEKI Yasuki | (  1) | 
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 | Über Kafkas Briefe an Milena - Das Scheitern einer intellektuellen Liebe -
 | INOUE Masaatsu | ( 23) | 
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 | The Impact And Dialogue in East Asia | LIU Anwei | ( 38) | 
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 | Das Märchen vom grossen Wald Uber Grimms > Hänsel und Gretel <
 | ICHIKAWA Shinji | ( 51) | 
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 | La Critique d'art japonaise et l'Asie : un "art asiatique contemporain" pour le Japon (Deuxième partie)
 | Françoise JEAN | ( 81) | 
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										WORD AND ACT     2002 VOL.07
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 | Language and Identity in Ireland Brian Friel's Translations
 | SATSUMA Tatsuro | (  1) | 
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 | "Mock-water" by Falstaff | YUI Tetsuya | ( 29) | 
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 | From the Gothic to Romanticism - A Narratological Approach to S. T. Coleriidge's " The Rime of the Ancyent Marinere"
 | TAMURA Masatoshi | ( 61) | 
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 | Some Notes on Sensory Copulas in English | ISHIHARA Yuki | ( 85) | 
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 | On Abstract Incorporation in Reflexivization | NOGUCHI Tohru | (103) | 
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 | Ironic Narrators in Emma: The Novel and Films | KOBAYASHI Michiko | (139) | 
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										WORD AND ACT     2001 VOL.06
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 | La critique d'art japonaise et l'Asie : Un "art asiatique contemporain" pour le Japon (Première partie)
 | Françoise JEAN | (  1) | 
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 | Vom inneren Kampf zum ruhigen Verkehr Über Kafkas > Brief an den Vater <
 | ICHIKAWA Shinji | ( 21) | 
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 | Zhang Dai and Yuan Mei - The Autobiography of Two Chinese Poets -
 | LIU Anwei | ( 47) | 
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 | - Flucht aus dem Bildungsroman - - Im Hinblick auf Dickens, Keller und Hesse -
 | INOUE Masaatsu | ( 59) | 
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 | "Using the liberty of versifying": Politics of Literature in Sir Philip Sidney's Mira Poems
 | SHINOZAKI Minoru | ( 91) | 
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										WORD AND ACT     1999 VOL.05
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 | THE JAPANESE AND THE JEWS The Roots of Cosmopolitanism
 | Roger Pulvers | (  1) | 
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 | Some Notes on Infinitival Complements of Help | ISHIHARA Yuki | ( 19) | 
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 | IDENTITE JAPONAISE:DES ECRITURES DE L'HISTOIRE | Françoise Jean | ( 39) | 
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 | Versuch einer Losung des Ratse1s um Kafkas ,,In der Strafkolonie" | INOUE Masaatsu | ( 75) | 
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 | Jenseits von Freude und Leere | ICHIKAWA Shinji | ( 97) | 
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										WORD AND ACT     1999 VOL.04
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 | Kafkas Prozeß und dessen Vorder - und Kehrseite - Unter dem Einfluß der Liebesbeziehung zu Felice
 | INOUE Masaatsu | (  1) | 
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 | THESES JAPONAISES : L'UNIVERSEL ET LE SPECIFIQUE | Françoise Jean | ( 33) | 
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 | From Secondary School to University :Bridging the Gap | Christopher Arden-Close | ( 61) | 
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 | 'Nature' and 'Institution' in Jude the Obscure | KOBAYASHI Michiko | ( 75) | 
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 | An Introduction to Linguistics for Learners of Foreign Languages (3) | KURODA Ryunosuke | (107) | 
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										WORD AND ACT     1998 VOL.03
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 | Paintings and Painters in the Early Works of Thomas Hardy | YAMAGUCHI Takao | (  1) | 
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 | A Note on Come/Go + V Construction | ISHIHARA Yuki/ NOGUCHI Tohru | ( 41) | 
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 | Taiwanese University Freshmen's Difficulties | Christopher Arden-Close | ( 61) | 
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 | The Obscure Object of Desire - The Royal Marriage Problem and Entertainments for Elizabeth I
 | SHINOZAKI Minoru | (103) | 
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 | Naming as a Disguise : Little Dorrit | KOBAYASHI Michiko | (123) | 
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 | An Introduction to Linguistics for Learners of Foreign Languages(2) | KURODA Ryunosuke | (151) | 
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										WORD AND ACT     1997 VOL.02
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 | Grammatik zu Kafkas DIE VERWANDLUNG | INOUE Masaatsu | (  1) | 
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 | F. Schlegels Kritik über ,Emilia Galotti | OTOMO Susumu | ( 21) | 
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 | Local Anaphora and Economy | NOGUCHI Tohru | ( 39) | 
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 | CRITIQUE OCCIDENTALE ET ART JAPONAIS :LES ARGUMENTS DE L'EXOTISME
 | Françoise Jean | ( 78) | 
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 | B. H.Chamberlain's Understanding of Haiku | SUGAWARA Katsuya | (180) | 
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 | Notes on Teaching English by a Japanese Teacher | HATTORI Takakazu | (107) | 
 | 
							
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 | An Introduction to Linguistics for Learners of Foreign Languages | KURODA Ryunosuke | (119) | 
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										WORD AND ACT     1997 VOL.01
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 | American Comic Writings: An Historical Introduction. | SAEKI Yasuki | (  1) | 
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 | Le désuvrement et le rire chez G . Bataille | SATOMI Tatsuo | ( 21) | 
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 | Belarus for Japanese People | KURODA Ryunosuke | ( 41) | 
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 | Noises and Voices in The Tempest | YUI Tetsuya | ( 49) | 
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 | A Note on Minimal Projection | ISHIHARA Yuki | ( 69) | 
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 | Gazing, Body and Power in Great Expectations | KOBAYASHI Michiko | ( 87) | 
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